A5 Text dummy run
Seeing as there isn't really enough space left on my A5 preliminary notes
to adequately see how the sequence and text (and its presentation) will
look, I thought I would try a dummy run here to see how it might turn
out. These are NOT the final sequence and may change before submission.
Shot 1 - f/7.1 at 1/6 sec., ISO-200, 42mm
"This city is afraid of me
I have seen its true face
Of what Reinhart and Malevic didn't see
And which Robert Fludd left no trace."
Shot 2 - f/5.6 at 1/49 sec., ISO-3200, 42mm
"If I were dim as the sun,
Night I'd drill
with the rays of my eyes."-Vladimir Mayakovsky, 1916, excerpt from:
To his Own Beloved Self The Author Dedicates These Lines
Shot 3 - f/5.6 at 1/25sec., ISO-3200, 42mm
"Mapplethorpe's anguish like Margaret's smile,
Was De Mesquita's pupil with no mathematical guile;
Volkmann's impassiveness would make Kertész ask,
If like Gillian we're always wearing a mask;
And if Moore opened the door to perception,
Would Ted Hughes' muse be Godwin's intention?;
Marjane's stories and Andy's construe,
Would make Rodchenko black you out too;
Then what of Peggy Sue in a Daguerreotype?
And Amelie in a Hollywood stereotype?
As Muslim girls dance in Amsterdam,
Was Strand more French than Uncle Sam?
From those amazing blueprints by Sir Herschel,
To Turk's fake portrait commercial;
In awe of Cameron's Iago with his downward gaze,
Never to see Gaiman's gift to amaze;
Yet here I am to witness them stand tall,
On my train ride going nowhere at all."
Shot 4 - f/3.5 at 1/13 sec., ISO-3200, 14mm
"Squealing under city stone
The millions on the millions run,
Every one a life alone,
Every one a soul undone:
There all the poisons of the heart
Branch and abound like whirling brooks
And there through every useless art
Like spoiled meats on a butcher’s hooks
Pour forth upon their frightful kind
The faces of each ruined child:
The wrecked demeanors of the mind
That now is tamed, and once was wild." -James Agee, 1937 (Reuter, 2016)
Shot 5 - f/2,8 at 1/50 sec., ISO-800, 50mm prime
"I'll use you when I want to - not when you do.
I'm so in control, so strong, so deluded it's untrue.
A modern God making me the walking dead,
Who knows what it's doing to my head.
I've become like a 'mombie' on the march,
But not me, no way.
No, no."
Shot 6 - f/10 at 2 sec., ISO-200, 14mm
"Immediately I sprang into action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. That evening, I developed the film, and the vision exploded behind my eyes."
-H. Sugimoto
Shot 7 - f/11 at 1.6 sec., ISO-3200, 50mm
"...What this one here? Yeah, well, she gave it to us years ago when she last visited us - can't remember now when exactly but it was years ago. I never really liked it at the time, to tell you the truth, seemed pointless to give us something like that. I mean, we see that sort of stuff all the time here, you know? - ten to the dozen round here they are. Don't get me wrong, we weren't ungrateful or anything, it's just, you know, what could we do with it? No disrespect or anything, but we would've been better off with the bleedin' money, you know? [laughs]..."
In conversation with the author, late June 1989; later published in Madstock's The Definitive Guide to Being Blatantly Screwed by the Local Community's Ridiculous Take on Those Numbnut Tourist and Their Willingness to Part with Pots of Money for a Pile of Arranged Rocks, 2nd edition (C. Twat., 1990).
Shot 8
Shot 9 - f/5.6 at 1/25 sec., ISO-3200, 42mm
Shot 10 - f/3.5 at 1/25 sec., ISO-3200, 42mm
Shot 11 - f/1.7 at 1/8 sec., ISO-3200, 50mm
Shot 12 - f/1.7 at 1/200 sec., ISO-1600, 50mm
End.
Sources
Dcmooregallery.com. (2016). Duane Michals – Artists – DC Moore Gallery. [online] Available at: http://www.dcmooregallery.com/artists/duane-michals#3 [Accessed 3 Nov. 2016].
YouTube. (2016). David Hurn at The Eye Photography Festival. [online] Available at: https://www.youtube.com/watch?v=2hLCisOI0Xw [Accessed 1 Nov. 2016].
Wales Arts Review. (2016). David Hurn at The Eye International Photography Festival – Wales Arts Review. [online] Available at: http://www.walesartsreview.org/david-hurn-at-the-eye-international-photography-festival/ [Accessed 1 Nov. 2016].
YouTube. (2016). Photographer Duane Michals Talks About His Career. [online] Available at: https://www.youtube.com/watch?v=pZa_oOzXVkY&list=LLQaHf9JAWYjHV3RrR8ozYCg&index=3 [Accessed 1 Nov. 2016].
Rockpaperink.com. (2016). Undercover: XXXXXXXX XXX XX XXXXXXXXX XXX. – RockPaperInk. [online] Available at: http://www.rockpaperink.com/content/column.php?id=485 [Accessed 9 Oct. 2016].
Moma.org. (2016). MoMA.org | Interactives | Exhibitions | 1998 | Rodchenko | Portraits of Mayakovsky. [online] Available at: https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/portraits_mayakov.html [Accessed 8 Dec. 2016].
Mayakovsky, V. (2016). Poems of Vladimir Mayakovsky. [online] Marxists.org. Available at: https://www.marxists.org/subject/art/literature/mayakovsky/1916/own-beloved-self.htm [Accessed 8 Dec. 2016].
Veoh.com. (2016). Watch Videos Online | Genius of photography – 2 | Veoh.com. [online] Available at: http://www.veoh.com/watch/v7279508h5dT6DeQ [Accessed 18 Nov. 2016].
Zoecrosher.com. (2016). ZC. [online] Available at: http://www.zoecrosher.com/polaroided [Accessed 1 Nov. 2016].
Moore, A. and Gibbons, D. (1987). Watchmen. New York: DC Comics Inc.
DC. (2016). WATCHMEN. [online] Available at: http://www.dccomics.com/graphic-novels/watchmen [Accessed 4 Nov. 2016].
McCloud, S. (1994). Understanding comics. 1st ed. New York: HarperPerennial.
McCloud, S. (2016). The visual magic of comics. [online] Ted.com. Available at: https://www.ted.com/talks/scott_mccloud_on_comics#t-825156 [Accessed 18 Nov. 2016].
The Museum of Modern Art. (2016). Walker Evans. Penny Picture Display, Savannah. 1936 | MoMA. [online] Available at: https://www.moma.org/collection/works/58181?locale=fr [Accessed 1 Nov. 2016].
The Metropolitan Museum of Art, i.e. The Met Museum. (2016). Walker Evans | Penny Picture Display, Savannah | The Met. [online] Available at: http://www.metmuseum.org/art/collection/search/265556 [Accessed 8 Dec. 2016].
Short, M. (2011). Context and Narrative. 1st ed. 1000 Lausanne: Ava Publishing SA.
Moma.org. (2016). MoMA | Walker Evans. Subway Portrait. from the series Subway Portraits. 1938–41. [online] Available at: https://www.moma.org/learn/moma_learning/walker-evans-subway-portraits-1938-41 [Accessed 17 Nov. 2016].
Reuter, K. (2016). eCUIP : The Digital Library : Social Studies : Chicago: City of Neighborhoods. [online] Ecuip.lib.uchicago.edu. Available at: http://ecuip.lib.uchicago.edu/diglib/arts/public_art/gallery/paint/paint_undercit.html [Accessed 8 Dec. 2016].
Sugimotohiroshi.com. (2016). Hiroshi Sugimoto. [online] Available at: http://www.sugimotohiroshi.com/theater.html [Accessed 9 Dec. 2016].
Collections.vam.ac.uk. (2016). Young Boy, Gondeville, Charente, France | Paul Strand | V&A Search the Collections. [online] Available at: http://collections.vam.ac.uk/item/O1059589/young-boy-gondeville-charente-france-photograph-paul-strand/ [Accessed 23 Nov. 2016].
Barthes, R. and Heath, S. (1990). Image, music, text. 1st ed. [London]: Fontana.
Pro.magnumphotos.com. (2016). Magnum Photos Photographer Profile. [online] Available at: https://pro.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_9_VForm&ERID=24KL53ZHEN [Accessed 8 Dec. 2016].
Pro.magnumphotos.com. (2016). Magnum Photos. [online] Available at: https://pro.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2K1HRGROLS [Accessed 9 Dec. 2016].
O’Hagan, S. (2014) The photographer who caught the heartbreak on both sides of America’s social divide. Available at: https://www.theguardian.com/artanddesign/2014/jul/03/jim-goldberg-rich-and-poor-photography (Accessed: 8 December 2016).
Goldberg, J. (2016) Raised by wolves. Available at: https://vimeo.com/39715337 (Accessed: 8 December 2016).
Shot 1 - f/7.1 at 1/6 sec., ISO-200, 42mm"This city is afraid of me
I have seen its true face
Of what Reinhart and Malevic didn't see
And which Robert Fludd left no trace."
Shot 2 - f/5.6 at 1/49 sec., ISO-3200, 42mm"If I were dim as the sun,
Night I'd drill
with the rays of my eyes."-Vladimir Mayakovsky, 1916, excerpt from:
To his Own Beloved Self The Author Dedicates These Lines
Shot 3 - f/5.6 at 1/25sec., ISO-3200, 42mm
"Mapplethorpe's anguish like Margaret's smile,
Was De Mesquita's pupil with no mathematical guile;
Volkmann's impassiveness would make Kertész ask,
If like Gillian we're always wearing a mask;
And if Moore opened the door to perception,
Would Ted Hughes' muse be Godwin's intention?;
Marjane's stories and Andy's construe,
Would make Rodchenko black you out too;
Then what of Peggy Sue in a Daguerreotype?
And Amelie in a Hollywood stereotype?
As Muslim girls dance in Amsterdam,
Was Strand more French than Uncle Sam?
From those amazing blueprints by Sir Herschel,
To Turk's fake portrait commercial;
In awe of Cameron's Iago with his downward gaze,
Never to see Gaiman's gift to amaze;
Yet here I am to witness them stand tall,
On my train ride going nowhere at all."
Shot 4 - f/3.5 at 1/13 sec., ISO-3200, 14mm
"Squealing under city stone
The millions on the millions run,
Every one a life alone,
Every one a soul undone:
There all the poisons of the heart
Branch and abound like whirling brooks
And there through every useless art
Like spoiled meats on a butcher’s hooks
Pour forth upon their frightful kind
The faces of each ruined child:
The wrecked demeanors of the mind
That now is tamed, and once was wild." -James Agee, 1937 (Reuter, 2016)
Shot 5 - f/2,8 at 1/50 sec., ISO-800, 50mm prime
"I'll use you when I want to - not when you do.
I'm so in control, so strong, so deluded it's untrue.
A modern God making me the walking dead,
Who knows what it's doing to my head.
I've become like a 'mombie' on the march,
But not me, no way.
No, no."
Shot 6 - f/10 at 2 sec., ISO-200, 14mm
"Immediately I sprang into action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. That evening, I developed the film, and the vision exploded behind my eyes."
-H. Sugimoto
Shot 7 - f/11 at 1.6 sec., ISO-3200, 50mm
"...What this one here? Yeah, well, she gave it to us years ago when she last visited us - can't remember now when exactly but it was years ago. I never really liked it at the time, to tell you the truth, seemed pointless to give us something like that. I mean, we see that sort of stuff all the time here, you know? - ten to the dozen round here they are. Don't get me wrong, we weren't ungrateful or anything, it's just, you know, what could we do with it? No disrespect or anything, but we would've been better off with the bleedin' money, you know? [laughs]..."
In conversation with the author, late June 1989; later published in Madstock's The Definitive Guide to Being Blatantly Screwed by the Local Community's Ridiculous Take on Those Numbnut Tourist and Their Willingness to Part with Pots of Money for a Pile of Arranged Rocks, 2nd edition (C. Twat., 1990).
Shot 8
Shot 9 - f/5.6 at 1/25 sec., ISO-3200, 42mm
Shot 10 - f/3.5 at 1/25 sec., ISO-3200, 42mm
Shot 11 - f/1.7 at 1/8 sec., ISO-3200, 50mm
Shot 12 - f/1.7 at 1/200 sec., ISO-1600, 50mm
End.
Sources
YouTube. (2016). David Hurn at The Eye Photography Festival. [online] Available at: https://www.youtube.com/watch?v=2hLCisOI0Xw [Accessed 1 Nov. 2016].
Wales Arts Review. (2016). David Hurn at The Eye International Photography Festival – Wales Arts Review. [online] Available at: http://www.walesartsreview.org/david-hurn-at-the-eye-international-photography-festival/ [Accessed 1 Nov. 2016].
YouTube. (2016). Photographer Duane Michals Talks About His Career. [online] Available at: https://www.youtube.com/watch?v=pZa_oOzXVkY&list=LLQaHf9JAWYjHV3RrR8ozYCg&index=3 [Accessed 1 Nov. 2016].
Rockpaperink.com. (2016). Undercover: XXXXXXXX XXX XX XXXXXXXXX XXX. – RockPaperInk. [online] Available at: http://www.rockpaperink.com/content/column.php?id=485 [Accessed 9 Oct. 2016].
Moma.org. (2016). MoMA.org | Interactives | Exhibitions | 1998 | Rodchenko | Portraits of Mayakovsky. [online] Available at: https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/portraits_mayakov.html [Accessed 8 Dec. 2016].
Mayakovsky, V. (2016). Poems of Vladimir Mayakovsky. [online] Marxists.org. Available at: https://www.marxists.org/subject/art/literature/mayakovsky/1916/own-beloved-self.htm [Accessed 8 Dec. 2016].
Veoh.com. (2016). Watch Videos Online | Genius of photography – 2 | Veoh.com. [online] Available at: http://www.veoh.com/watch/v7279508h5dT6DeQ [Accessed 18 Nov. 2016].
Zoecrosher.com. (2016). ZC. [online] Available at: http://www.zoecrosher.com/polaroided [Accessed 1 Nov. 2016].
Moore, A. and Gibbons, D. (1987). Watchmen. New York: DC Comics Inc.
DC. (2016). WATCHMEN. [online] Available at: http://www.dccomics.com/graphic-novels/watchmen [Accessed 4 Nov. 2016].
McCloud, S. (1994). Understanding comics. 1st ed. New York: HarperPerennial.
McCloud, S. (2016). The visual magic of comics. [online] Ted.com. Available at: https://www.ted.com/talks/scott_mccloud_on_comics#t-825156 [Accessed 18 Nov. 2016].
The Museum of Modern Art. (2016). Walker Evans. Penny Picture Display, Savannah. 1936 | MoMA. [online] Available at: https://www.moma.org/collection/works/58181?locale=fr [Accessed 1 Nov. 2016].
The Metropolitan Museum of Art, i.e. The Met Museum. (2016). Walker Evans | Penny Picture Display, Savannah | The Met. [online] Available at: http://www.metmuseum.org/art/collection/search/265556 [Accessed 8 Dec. 2016].
Short, M. (2011). Context and Narrative. 1st ed. 1000 Lausanne: Ava Publishing SA.
Moma.org. (2016). MoMA | Walker Evans. Subway Portrait. from the series Subway Portraits. 1938–41. [online] Available at: https://www.moma.org/learn/moma_learning/walker-evans-subway-portraits-1938-41 [Accessed 17 Nov. 2016].
Reuter, K. (2016). eCUIP : The Digital Library : Social Studies : Chicago: City of Neighborhoods. [online] Ecuip.lib.uchicago.edu. Available at: http://ecuip.lib.uchicago.edu/diglib/arts/public_art/gallery/paint/paint_undercit.html [Accessed 8 Dec. 2016].
Sugimotohiroshi.com. (2016). Hiroshi Sugimoto. [online] Available at: http://www.sugimotohiroshi.com/theater.html [Accessed 9 Dec. 2016].
Collections.vam.ac.uk. (2016). Young Boy, Gondeville, Charente, France | Paul Strand | V&A Search the Collections. [online] Available at: http://collections.vam.ac.uk/item/O1059589/young-boy-gondeville-charente-france-photograph-paul-strand/ [Accessed 23 Nov. 2016].
Barthes, R. and Heath, S. (1990). Image, music, text. 1st ed. [London]: Fontana.
Pro.magnumphotos.com. (2016). Magnum Photos Photographer Profile. [online] Available at: https://pro.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_9_VForm&ERID=24KL53ZHEN [Accessed 8 Dec. 2016].
Pro.magnumphotos.com. (2016). Magnum Photos. [online] Available at: https://pro.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2K1HRGROLS [Accessed 9 Dec. 2016].
O’Hagan, S. (2014) The photographer who caught the heartbreak on both sides of America’s social divide. Available at: https://www.theguardian.com/artanddesign/2014/jul/03/jim-goldberg-rich-and-poor-photography (Accessed: 8 December 2016).
Goldberg, J. (2016) Raised by wolves. Available at: https://vimeo.com/39715337 (Accessed: 8 December 2016).
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